Feedback is a phenomenon that occurs when a microphone picks up sound from a speaker while that speaker is playing sound from the microphone, thus creating a loop. It is commonly described as a signal feeding back into itself. Feedback commonly occurs during live performances or wherever there are speakers broadcasting nearby microphones.

Category Entertainment; Song Feedback (Single Version) Artist Janet Jackson; Licensed to YouTube by UMG (on behalf of Island Def Jam); UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, ASCAP, AMRA.

How it works

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In short, feedback is a loop of sound. When a microphone is capturing sound and the signal from that microphone is played through a speaker system near the microphone, feedback may occur because there is a loop being created. The speaker is playing what the microphone is picking up and the microphone is picking up what the speaker is playing.
Feedback is dependent on the following:

Use the 3-2-1 feedback method to enable your listener to hear the feedback, apply the feedback while feeling you hear and see all of them. Not just their m. Help us make Windows better! Provide feedback about Windows and apps by sharing your suggestions or problems. If you want to be even more involved, then join the Windows Insider program and keep up with the latest alerts and announcements, rate the builds, participate in feedback Quests, and earn badges.

A) The sensitivity of the microphone
B) The loudness of the speaker
C) The distance between the speaker and the microphone
The microphone is intended to capture the sound waves of something close by, such as a person's voice or an instrument. When the microphone captures the sound, the signal is routed through a cable into a device to process the signal, amplify it, and then play it through a speaker, thus making that voice or instrument sound much louder. Where the feedback occurs is when the speaker is creating sound waves that reach the microphone and the loop is created.

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The feedback sound occurs when the volume of the microphone signal playing through the speaker reaches a threshold where it begins playing the microphone signal louder each time it passes through the loop. The speaker is amplifying the microphones signal so if the microphone is too close to a speaker that is amplifying that same signal, the microphone will capture its own signal in real-time and amplify the signal louder and louder every time it passes through the speaker. The signal begins to grow in volume and quickly causes a feedback loop. The sound of feedback is typically a very high frequency or pitch, and is usually very loud.

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• System requirements

  • Mac OS X 10.12 or newer (older OS versions may work but are not tested).
  • Windows 64-bit, versions 7, 8 or 10.
  • Intel Core 2 Duo, AMD Athlon 64 X2 or newer.
  • Screen resolution 1280x800 or larger.
  • 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space. Specific information available on each instrument's page).
  • Softube account.
  • iLok account.
  • Internet access for downloading installer and managing licenses.
  • iLok generation 2 and up, if you intend to use an iLok dongle for authorizing your plug-ins (note that an iLok dongle is not a requirement).
  • In theory, any 64-bit VST, VST3, AU, or AAX (11.0.2 or higher) compatible host application should work.
    

  However, due to plug-in host differences between DAWs - and our own rigorous testing standards - we only officially test our plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Live, Studio One, Digital Performer, Reaper and Sonar. Softube plugins are not tested in the non-listed systems, but they most likely work as long as the system requirements are met. We cannot guarantee a solution for issues in unsupported systems.

  Please Note: Softube plug-ins support 64-bit hosts only, and a 64-bit OS is required. Therefore, for example, Pro Tools 10.x is no longer supported (contact support for latest 32-bit compatible instalers).

  Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.

  The most recent maintenance release of the DAW application is recommended.

  AAX DSP is not in active development, but older products still support AAX DSP. For legacy TDM/VENUE, please see the Legacy Installers page.